Author(s): William Dean Howells
Format: Hardback
No. of Pages: 616
Publisher: Forgotten Books
Language: English
Date Published: 2018-08-01
Dimensions: 152 x 229 x 33mm
Publication City/Country:
Edition:
Illustrations: 31 Illustrations; Illustrations, black and white

Excerpt from A Hazard of New Fortunes: Two Volumes in One The following story was the first fruit of my New York life when I began to live it after my quarter of a century in Cambridge and Boston, ending in 1889; and I used my own transition to the com mercial metropolis in framing the experience which was wholly that of my suppositimis literary adven turer. He was a character whom, with his wife, I have employed in some six or eight other stories, and whom I made as much the hero and heroine of Their Wed ding Journey as the slight fable would bear. In ventur ing out of my adoptive New England, where I had found myself at home with many imaginary friends, I found it natural to ask the company of these familiar acquaint ances, but their company was not to be had at once for the asking. When I began speaking of them as Basil and Isabel, in the fashion of Their Wedding Jour ney, they would not respond with the effect of early middle age which I desired in them. They remained wilfully, not to say woodenly, the young bridal pair of that romance, without the promise of novel function ing. It was not till I tried addressing them as March and Mrs. March that they stirred under my hand with fresh impulse, and set about the work assigned them as people in something more than their second youth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.